ENUBLADO DIZES
Marcos Foz
Bestiário, Agosto de 2024
Again it is the image that has suffered. These are all no longer images in any traditional sense. Not the collage of flat digitality, deep digitality is para-photographic, more sculpture or theater than anything else. Or like music, perhaps, with its penchant for multiple voices. The prison is now reversed, a reverse panopticon in which a multiplicity of watchers all collaborate to convene upon a singular point. On this score, anyone who says the contemporary world is a vast panopticon has the facts of the matter
exactly backward. The cybernetic world may be a control society, but it is a reverse panopticon, not a panopticon as classically conceived. The condition of cellularity is now subjective not objective. In other words, within deep digitality the subject is cellular (the watcher), whereas within flat digitality the object is cellular (the watched). The object is now a Euclidean point, while the “subjective” points of view have metastasized into multiplicity. What this produces is a curvature of space. Space bends and recedes. Space grows deep as the subject metastasizes and engulfs it.
exactly backward. The cybernetic world may be a control society, but it is a reverse panopticon, not a panopticon as classically conceived. The condition of cellularity is now subjective not objective. In other words, within deep digitality the subject is cellular (the watcher), whereas within flat digitality the object is cellular (the watched). The object is now a Euclidean point, while the “subjective” points of view have metastasized into multiplicity. What this produces is a curvature of space. Space bends and recedes. Space grows deep as the subject metastasizes and engulfs it.
Alexander R. Galloway
oito /// três
«tenho meu coração negro como a noite»
clara madalena p'las múltipas vigílas
à voz do 2º outorgante de bolso
remendado e traqueia rafada vendo
o denso visco dos que cercam o rosto
à lira possível por entre rodriguinhos
de antigos donos de imóveis & comodidades
clara madalena p'las múltipas vigílas
à voz do 2º outorgante de bolso
remendado e traqueia rafada vendo
o denso visco dos que cercam o rosto
à lira possível por entre rodriguinhos
de antigos donos de imóveis & comodidades
*
ou, fora do literário: temos, teremos,
enxuta - inadvertida - lucerna
V
Sente-se a variação
na atmosfera do quarto; uma corrente
de ar? com a porta,
as janelas fechadas?
o sopro vem talvez da estante:
poemas, dicionários;
como se a biblioteca desprendesse
substâncias voláteis; ou
que tentam voar; o frémito,
o pressentimento, acorda
os móveis fascinados; pouco a pouco,
no aro do abat-jour,
onde a diferença é mais sensível,
condensa-se o rumor das primeiras
palavras: afinal, são elas;
e logo que os seus vôos;
anteriores à escrita; as precipitam
no papel, começa-se a escrever
Carlos de Oliveira, Entre Duas Memórias
pré-truncagem
«Catastrophe is the past coming apart. Anastrophe is the future coming together. Seen from within history, divergence is reaching critical proportions. From the matrix, crisis is convergence misinterpreted by mankind.»
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